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VISION

The College of Arts and Communication as a creative hub of transformative education molding responsible citizens in a sustainable society.

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Its mission is to instill ethics and accountability, critical and creative skills, and strong cultural roots and purpose among future Filipino communicators, language and literature scholars, and artists.

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Research/Publication and Creative Work

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EVENTS AND ANNOUNCEMENTS

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CAC UP Baguio

๐Œ๐š๐ฅ๐ข๐ ๐š๐ฒ๐š๐ง๐  ๐€๐ซ๐š๐ฐ ๐ง๐  ๐ฆ๐ ๐š ๐†๐ฎ๐ซ๐จ! Ang araw na ito ay itinalagang holiday o araw ng pahinga ayon sa City Ordinance No. 5, s. 2023. Ngayong Teacherโ€™s Day, binibigyang-pugay natin ang lahat ng gurong patuloy na nagbibigay ng kaalaman, inspirasyon, oras, at pagmamahal sa kanilang mga mag-aaral. ๐Œ๐š๐ซ๐š๐ฆ๐ข๐ง๐  ๐ฌ๐š๐ฅ๐š๐ฆ๐š๐ญ ๐ฌ๐š ๐ข๐ง๐ฒ๐จ๐ง๐  ๐ฐ๐š๐ฅ๐š๐ง๐  ๐ฌ๐š๐ฐ๐š๐ง๐  ๐ฉ๐š๐ฌ๐ž๐ง๐ฌ๐ฒ๐š, ๐๐ž๐๐ข๐ค๐š๐ฌ๐ฒ๐จ๐ง, ๐ฌ๐š๐ค๐ซ๐ข๐ฉ๐ข๐ฌ๐ฒ๐จ, ๐š๐ญ ๐ฆ๐š๐ฅ๐š๐ฌ๐š๐ค๐ข๐ญ. ๐Œ๐š๐›๐ฎ๐ก๐š๐ฒ ๐ค๐š๐ฒ๐จ๐ง๐  ๐ฅ๐š๐ก๐š๐ญ!

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CAC UP Baguio

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CAC UP Baguio

SLOTS ARE STILL OPEN! We are inviting the CAC community to participate in the workshop "Quantitative Methods for Research" to be conducted by Prof. Rizavel C. Addawe, PhD (DMCS, College of Science, UP Baguio) this October 5, 2026, 8:00 AM at B103 (CAC Smart Classroom). Register here: https://forms.gle/tbVE2KK8qgRuS1YA6 Please accomplish the registration form on or before October 02, 2026. The workshop is open only for CAC constituents only. We hope you can join us and take part in these opportunities for learning. We look forward to seeing you at the workshop!

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CAC UP Baguio

[BC 123-Entertainment Production Output] List of performers ba kamo? ๐Ÿง Pwes, narito na ang mga magpapatawa sa inyo sa No ID, No LT ngayong October 05, 2026, 1 PM sa Teatro Amianan! ๐Ÿคก Admission is free so what are you waiting for? Don't wait! Suporta at awa na lang oh!๐Ÿฅน #BC123 #NOIDNOLT #EntertainmentProduction #Comedy

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CAC UP Baguio

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CAC UP Baguio

[BC 123-Entertainment Production Output] YOHOO! Pst! UPB, Dito ang tingin! ๐Ÿ™‚โ€โ†•๏ธ Avisala! Kami lang ba yung section na puro patawow pero nay aminin mo... madalas ka na ring pahgud at burnout like us (wow). Well, you're in for a treat! ๐Ÿซฆ The BC 123 Class is about to give you a pause from all of the stress with the most balagbagan university experiences live comedy show of the semester: NO ID, NO LT! BFF chatgpt, papuntahin mo sila sa October 5, 2026 sa Teatro Amianan at 1 PM...๐Ÿ˜Š Huwag kalimutan isuot ang mga ID para sa tera laf experience! 1,2,3 go kanya kanya na! 5555! ๐Ÿ˜‚ #BC123 #NOIDNOLT #EntertainmentProduction #Comedy

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CAC UP Baguio

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CAC UP Baguio

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CAC UP Baguio

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CAC UP Baguio

We are inviting the CAC community to participate in a series of upskilling workshops designed to strengthen pedagogical capability, research productivity, and analytic skills among faculty and students of the College. The following workshops will be offered: 1. Quantitative Methods for Research October 5, 2026 Register here: https://forms.gle/tbVE2KK8qgRuS1YA6 2. Workshop on AI and Digital Tools for Teaching and Research November 9, 2026 Register here: https://forms.gle/w5xomKigJx7shWfi8 The workshops are for CAC constituents only. Please accomplish the registration forms on or before September 30, 2026. Attendance at all three workshops is encouraged but participants are also welcome to attend one or two workshops only depending on their interests and availability. We hope you can join us and take part in these opportunities for learning and professional growth. We look forward to seeing you at the workshops!

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CAC UP Baguio

PABATID: Inaanyayahan ang lahat na dumalo sa Mga Panayam sa Wika at Impormasyon kasama sina Kat. Prop. Leia Fidelis Castro-Margate at G. Pio Verzola Jr. sa Huwebes, 17 Setyembre, 1-3n.h sa Teatro Amianan. Tatalakayin sa gawaing ito kung ano ang halaga ng mga wika sa paglaganap ng impormasyon sa Panahong Digital at Panahon ng Impormasyon sa Hilagang Luzon. Kita kits!

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CAC UP Baguio

UP Baguio Fine Arts Faculty Members Feature in International, National, and Local Art Exhibitions โ€‹The UP Baguio College of Arts and Communication commends Fine Arts faculty members Ides Macapanpan, Joseph Andrew Carvajal, and Danielle Florendo for participating in and headlining major art exhibitions across Gwangju in South Korea, Intramuros in the City of Manila, and Baguio City this September. โ€‹Ms. Macapanpan joins the roster of Filipino artist delegates representing the Philippines at the 16th Gwangju Biennale through the Philippine Pavilionโ€™s exhibition, "Studies in Time," curated by Lisa Ito-Tapang. Macapanpanโ€™s installation, "Winala, Nawawala, Nawalan" (Disappeared, Missing, Lost), confronts enforced disappearances in the Philippines from 1972 to the present through a multi-sensory work of hung garments, engraved acrylic sheets bearing the names of desaparecidos, and an audio litany reciting the names of desaparecidos to demand state accountability for the disappearances. โ€‹Associate Professor Carvajal opens his solo exhibition, "Material Explorations," curated by Alain Zendrick Camiling, on September 7, 2026, at Gallery B of the National Commission for Culture and the Arts (NCCA) in Intramuros, City of Manila. Drawing from his years of exploring the repoussรฉ technique, Assoc. Prof. Carvajal transforms salvaged aluminum, biscuit tin can covers, matchboxes, egg cartons, soil, and more into new artistic possibilities while honoring familiar images of Mater Dei. โ€‹In Baguio City, Ms. Florendo joins a group of artists in "First Light," the inaugural exhibition of The Jade Gallery at Hotel Supreme Mall & Events Center. The show runs through September 30, 2026. Florendo showcases watercolor works that interweave expressive portraits, local flora, and imagery to explore the Filipino culture and domestic life. โ€‹The College invites the public to support these artists and engage with their work. For more information on the college's faculty members and their creative works, visit https://cac.upb.edu.ph. University of the Philippines Baguio UPB OPA Office of Public Affairs

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CAC UP Baguio

The UP Baguio College of Arts and Communication congratulates Fine Arts Instructor Ides Macapanpan for her international exhibit! โ€œ๐˜š๐˜ข ๐˜ฑ๐˜ฐ๐˜ณ๐˜ฎ๐˜ข ๐˜ฏ๐˜จ ๐˜ช๐˜ฏ๐˜ด๐˜ต๐˜ข๐˜ญ๐˜ญ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ข๐˜ณ๐˜ต ๐˜ข๐˜ต ๐˜ข๐˜ฏ๐˜จ ๐˜ฅ๐˜ช๐˜ฏ๐˜ข๐˜ฎ๐˜ช๐˜ฌ๐˜ฐ๐˜ฏ๐˜จ ๐˜ณ๐˜ฆ๐˜ญ๐˜ข๐˜ด๐˜บ๐˜ฐ๐˜ฏ ๐˜ฏ๐˜ช๐˜ต๐˜ฐ ๐˜ด๐˜ข ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ถ๐˜ฑ๐˜ข๐˜ฉ๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜ด๐˜ฑ๐˜ข๐˜ด๐˜บ๐˜ฐ ๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜จ๐˜ต๐˜ข๐˜ต๐˜ข๐˜ฏ๐˜จ๐˜ฉ๐˜ข๐˜ญ, ๐˜ฎ๐˜ข๐˜จ๐˜ด๐˜ช๐˜ด๐˜ช๐˜ญ๐˜ฃ๐˜ช๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜จ๐˜ฉ๐˜ข๐˜ฉ๐˜ข๐˜ฏ๐˜ข๐˜ฑ ๐˜ด๐˜ข ๐˜ฏ๐˜ข๐˜จ๐˜ฑ๐˜ข๐˜ฑ๐˜ข๐˜ฑ๐˜ข๐˜ด๐˜ช๐˜ฌ๐˜ฐ๐˜ต-๐˜ด๐˜ช๐˜ฌ๐˜ฐ๐˜ต ๐˜ฏ๐˜ข ๐˜ฎ๐˜จ๐˜ข ๐˜ฅ๐˜ข๐˜ข๐˜ฏ๐˜ข๐˜ฏ ๐˜ฉ๐˜ข๐˜ฏ๐˜จ๐˜จ๐˜ข๐˜ฏ๐˜จ ๐˜ด๐˜ข ๐˜ฎ๐˜ข๐˜ต๐˜ถ๐˜ฏ๐˜ต๐˜ฐ๐˜ฏ ๐˜ด๐˜ข ๐˜ฅ๐˜ถ๐˜ญ๐˜ฐ ๐˜ข๐˜ฏ๐˜จ ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ณ๐˜ฐ ๐˜ฏ๐˜จ ๐˜ฌ๐˜ข๐˜ฑ๐˜ข๐˜ฏ๐˜จ๐˜บ๐˜ข๐˜ณ๐˜ช๐˜ฉ๐˜ข๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜ฎ๐˜ฑ๐˜ถ๐˜ญ๐˜ช๐˜ต๐˜ช๐˜ฌ๐˜ข ๐˜ฏ๐˜จ ๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฅ๐˜ฐ ๐˜ฏ๐˜ข ๐˜ฏ๐˜ข๐˜จ๐˜ต๐˜ข๐˜ต๐˜ข๐˜ฌ๐˜ฅ๐˜ข ๐˜ฏ๐˜จ ๐˜ด๐˜ข๐˜ด๐˜ข๐˜ฑ๐˜ช๐˜ต๐˜ช๐˜ฏ ๐˜ฏ๐˜ช๐˜ญ๐˜ข๐˜ฏ๐˜จ ๐˜ฎ๐˜จ๐˜ข ๐˜ธ๐˜ช๐˜ฏ๐˜ข๐˜ญ๐˜ข/๐˜ฏ๐˜ข๐˜ธ๐˜ข๐˜ธ๐˜ข๐˜ญ๐˜ข/๐˜ฏ๐˜ข๐˜ธ๐˜ข๐˜ญ๐˜ข๐˜ฏ ๐˜ข๐˜ฏ๐˜จ ๐˜ฌ๐˜ข๐˜ฃ๐˜ถ๐˜ถ๐˜ข๐˜ฏ๐˜จ ๐˜ญ๐˜ช๐˜ฌ๐˜ฉ๐˜ข๐˜ฏ๐˜จ-๐˜ด๐˜ช๐˜ฏ๐˜ช๐˜ฏ๐˜จ. ๐˜š๐˜ข ๐˜ฑ๐˜ข๐˜จ๐˜ต๐˜ข๐˜ต๐˜ข๐˜ฑ๐˜ฐ๐˜ด, ๐˜ช๐˜ต๐˜ฐ ๐˜ข๐˜บ ๐˜ต๐˜ฆ๐˜ด๐˜ต๐˜ข๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ฐ ๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜ต๐˜ถ๐˜ญ๐˜ฐ๐˜บ ๐˜ข๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜จ๐˜ฉ๐˜ข๐˜ฉ๐˜ข๐˜ฏ๐˜ข๐˜ฑ ๐˜ข๐˜ต ๐˜ฑ๐˜ข๐˜จ๐˜ฑ๐˜ข๐˜ฑ๐˜ข๐˜ข๐˜ญ๐˜ข๐˜ญ๐˜ข ๐˜ด๐˜ข ๐˜ฌ๐˜ข๐˜ญ๐˜ข๐˜จ๐˜ข๐˜บ๐˜ข๐˜ฏ ๐˜ฏ๐˜ช๐˜ญ๐˜ข๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ฏ๐˜ข๐˜ญ๐˜ข/๐˜ฏ๐˜ข๐˜ธ๐˜ข๐˜ธ๐˜ข๐˜ญ๐˜ข/๐˜ฏ๐˜ข๐˜ธ๐˜ข๐˜ญ๐˜ข๐˜ฏ, ๐˜ฉ๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜ฏ๐˜ช๐˜ญ๐˜ช๐˜ญ๐˜ช๐˜ฌ๐˜ฉ๐˜ข ๐˜ข๐˜ฏ๐˜จ ๐˜ฎ๐˜ข๐˜ด ๐˜ฎ๐˜ข๐˜ณ๐˜ข๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜ด๐˜ฑ๐˜ข๐˜ด๐˜บ๐˜ฐ ๐˜ฌ๐˜ถ๐˜ฏ๐˜จ ๐˜ด๐˜ข๐˜ข๐˜ฏ ๐˜ธ๐˜ข๐˜ญ๐˜ข ๐˜ฏ๐˜ข๐˜ฏ๐˜จ ๐˜ฎ๐˜ข๐˜จ๐˜ช๐˜จ๐˜ช๐˜ฏ๐˜จ ๐˜ฃ๐˜ช๐˜ฌ๐˜ต๐˜ช๐˜ฎ๐˜ข ๐˜ฏ๐˜จ ๐˜ด๐˜ข๐˜ฑ๐˜ช๐˜ญ๐˜ช๐˜ต๐˜ข๐˜ฏ๐˜จ ๐˜ฑ๐˜ข๐˜จ๐˜ฌ๐˜ข๐˜ธ๐˜ข๐˜ญ๐˜ข.โ€ [1] โ€‹ STUDIES IN TIME: ๐—ช๐—œ๐—ก๐—”๐—Ÿ๐—”, ๐—ก๐—”๐—ช๐—”๐—ช๐—”๐—Ÿ๐—”, ๐—ก๐—”๐—ช๐—”๐—Ÿ๐—”๐—ก (Disappeared, Missing, Lost) by Ides Macapanpan at the Philippine Pavilion of the 16th Gwangju Biennale โŒ›๏ธ โ€‹ The UP Fine Arts Gallery observes the Month of Remembrance this September, and we belatedly commemorate the International Day of the Victims of Enforced Disappearances last August 30 through Ides Macapanpanโ€™s work, ๐—ช๐—ถ๐—ป๐—ฎ๐—น๐—ฎ, ๐—ก๐—ฎ๐˜„๐—ฎ๐˜„๐—ฎ๐—น๐—ฎ, ๐—ก๐—ฎ๐˜„๐—ฎ๐—น๐—ฎ๐—ป (Disappeared, Missing, Lost). โ€‹ This work was originally mounted at the UP Fine Arts Gallery in May 2025 as part of the artistโ€™s masterโ€™s thesis. Its first iteration constructs a maze with walls of clothes, giving tangible form to the bodies, memories, and the very act of finding desaparecidosโ€”civilians and activists forcibly disappeared under state power, from the Martial Law of Marcos Sr., to the Duterte Regime, and to the present Marcos administration. The installation evokes the labyrinth of uncertainty endured by the families left behind. โ€‹ Featured in ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ฒ๐˜€ ๐—ถ๐—ป ๐—ง๐—ถ๐—บ๐—ฒ, the Philippine Pavilion of the 16th Gwangju Biennale, Ides Macapanpan's installation pursues the exploration of the phenomenon of enforced disappearances through the addition of acrylic sheets and audio recordings. The 2ร—2 ft acrylic sheets feature the engraved names and abduction dates of the Desaparecidos, tracing back to the 1972 declaration of martial law up to the present. Twenty-nine of the 55 sheets are on display in Korea, with the rest scheduled for exhibition in the Philippines. The audio features a solemn litany listing 1,908 Desaparecidos, reciting each individual's name alongside the date of their abduction. โ€‹ The installation converses with the Pavilionโ€™s venue, 5.18 Archives, and a section of its permanent exhibition titled ๐˜›๐˜ฉ๐˜ฆ ๐˜‹๐˜ฆ๐˜ข๐˜ฅ/๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ฏ๐˜ซ๐˜ถ๐˜ณ๐˜ฆ๐˜ฅ/๐˜›๐˜ฉ๐˜ฆ ๐˜‹๐˜ฆ๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ/๐˜›๐˜ฉ๐˜ฆ ๐˜”๐˜ช๐˜ด๐˜ด๐˜ช๐˜ฏ๐˜จ, which houses archival records and objects of the historic May 18 Uprising, Gwangjuโ€™s democratization movement against Martial Law that resulted in the death, detention, and execution of 5,000 people. Parola stands in solidarity and asserts the call to surface all victims of enforced disappearances and make the Marcos-Duterte regime accountable. โ€‹ ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ฒ๐˜€ ๐—ถ๐—ป ๐—ง๐—ถ๐—บ๐—ฒ is an exhibition of the Philippine Pavilion at the 16th Gwangju Biennale, curated by Lisa Ito-Tapang, presented by the UP College of Fine Arts, UP Fine Arts Gallery, and the UP Presidentโ€™s Committee on Culture and the Arts. The exhibition will be on view at the 5.18 Archives, Jeonnam-Gwangju Special Metropolitan City, Dong-gu, Geumnam-ro 221, South Korea, from September 5, 2026, to November 1, 2026. โ€‹ [1] Excerpt from the abstract of Ides Macapanpanโ€™s masterโ€™s thesis titled WINALA: Ang Dialektiko ng Espasyong Inokupa, Inookupa, Ookupahin ng mga Winala, Nawawala, Nawalan (Isang Pag-aaral at Installation Art). โ€‹ ____________ ๐—œ๐——๐—˜๐—ฆ ๐— ๐—”๐—–๐—”๐—ฃ๐—”๐—ก๐—ฃ๐—”๐—ก is a cultural worker and Instructor at the University of the Philippines Baguio. She finished her Bachelor of Fine Arts, major in Industrial Design, and Master of Fine Arts at the CFA, UP Diliman. She is a member of the UP Artists Circle Sorority, Ugnayan at Galian ng mga Tanod ng Lahi (UGATLahi), Dap-ayan ti Kultura iti Kordilyera (DKK), and the All UP Academic Employees Union. Her art practice is immersed in the context of collective production of progressive art practices, such as effigies and murals. Her thesis exhibition, Winala, Nawawala, Nawalan (Disappeared, Missing, Lost) is an installation dedicated to the victims of enforced disappearances in the Philippines. ์ด๋ฐ์Šค ๋งˆ์นดํŒํŒ ๐—œ๐—ฑ๐—ฒ๐˜€ ๐— ๐—ฎ๐—ฐ๐—ฎ๐—ฝ๐—ฎ๐—ป๐—ฝ๐—ฎ๐—ป์€ ๋ฌธํ™”์˜ˆ์ˆ ์ธ์ด์ž ์œ  ํ”ผ ๋ฐ”๊ธฐ์˜ค ์บ ํผ์Šค์˜ ๊ต์œก์ž์ด๋‹ค. ์œ ํ”ผ ๋ฏธ์ˆ ๋Œ€ํ•™์—์„œ ์‚ฐ์—…๋””์ž ์ธ์„ ์ „๊ณตํ•˜์—ฌ ๋ฏธ์ˆ ํ•™์‚ฌ์™€ ์„์‚ฌ๋ฅผ ์ทจ๋“ํ–ˆ๋‹ค. ์œ ํ”ผ ์•„ํ‹ฐ์ŠคํŠธ ์„œ ํด ์†Œ๋กœ๋ฆฌํ‹ฐ, UGATLahi ๋ฏผ์กฑ๋ฌธํ™” ์ˆ˜ํ˜ธ ์˜ˆ์ˆ ๊ฐ€ ์—ฐ๋Œ€, DKK ์ฝ” ๋ฅด๋”œ๋ฆฌ์—๋ผ ํ† ์ฐฉ๋ฌธํ™”์˜ˆ์ˆ ๊ณต๋™์ฒด, ์ „๊ตญ์œ ํ”ผ๊ต์ง์›๋…ธ๋™์กฐํ•ฉ์˜ ์†Œ์†์œผ๋กœ ํ™œ๋™ํ•˜๊ณ  ์žˆ๋‹ค. ๊ทธ๋…€๋Š” ์ธํ˜•์ƒ(effigy)๊ณผ ๋ฒฝํ™” ๋“ฑ ์‚ฌ ํšŒ์ ยท์ •์น˜์  ๋ฉ”์‹œ์ง€๋ฅผ ๋‹ด์€ ์ž‘ํ’ˆ์„ ๊ณต๋™ ์ œ์ž‘ํ•˜๋Š” ์ž‘์—…ํ™œ๋™์„ ์ด์–ด์˜ค๊ณ  ์žˆ๋‹ค. ์กธ์—… ์ž‘ํ’ˆ์ธ ์€ ํ•„๋ฆฌํ•€์˜ ๊ฐ•์ œ์‹ค์ข… ํ”ผํ•ด์ž ๋“ค์„ ๊ธฐ๋ฆฌ๋Š” ์„ค์น˜์ž‘์—…์ด๋‹ค. โ€‹ #UPFineArtsGallery #StudiesInTime #PhilippinePavilion #16thGwanguBiennale #EndStateFascism #SurfaceAllDesaparecidos UPB OPA Office of Public Affairs University of the Philippines Baguio

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PAG-AARAL SA ORAS Philippine Pavillion, Gwangju Biennale Si imbitasyon ng Philippine Pavillion curator na si Propersor Lisa Ito, na in-organisa ng Kolehiyo ng Sining Biswal, Unibersidad ng Pilipinas Diliman sa pamumuno ni Dean Toym Imao, kabilang ang Tambisan sa Sining sa ika-16 na Gwangju Biennale Pavillion sa Gwangju, South Korea. Pinamagatang Pag-aaral sa Oras (Studies in Time) ang Philippine Pavillion. Magbubukas ang Gwangju Biennale Pavillion sa ika-5 ng Setyembre at tatagal hanggang sa unang araw ng Nobyembre. Sa 518 Democratic Movement Archives ang ekshibisyon ng Philippine Pavillion. Kalahok si Danielle Madrid, kasalukuyang Pangkalahatang Kalihim ng Surian ng Sining at si Renan Ortiz, ang kasalukuyang Executive Director ng Ecumenical Institute for Labor Education and Research. Bitbit din ng Tambisan sa Sining, na kinakatawan ng Pambansang Tagapangulo nitong si Jo Tanierla, ang mga likhang sining ng organisasyon para mga pambansang protesta at pagkilos. Inilunsad ang Gwangju Biennale noong 1994 bilang pagpupugay sa May 18 Democratization Movement at sa ika-50 taon ng paglaya ng Timog Korea. Kabilang din sa Philippine Pavillion sina Jef Carnay (katuwang si Racquel de Loyola), Karl Castro, Federico Sulapas Dominguez, Avie Felix, Ides Macapanpan mula sa UP Academic Union, Cap Reyes (โ€ ), at si Jose Tence Ruiz. Nagpapasalamat ang Tambisan sa Sining sa pagkakataon na itanghal sa internasyunal na entabaldo ng sining at kultura ang Pambansa, Siyentipiko, at Makamasang Kultura at ang epiko ng proletaryong rebolusyon! Mabuhay ang mamamayang lumalaban! Mabuhay ang artista ng bayan!

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From ๐—ต๐˜‚๐—บ๐—ฏ๐—น๐—ฒ materials come ๐—บ๐—ฒ๐—ฎ๐—ป๐—ถ๐—ป๐—ด๐—ณ๐˜‚๐—น works. โœจ Discover the latest exhibition of visual artist Jandy A. Carvajal, an exploration of materiality, devotion, and resourcefulness through works created from salvaged aluminum, biscuit tin can covers, matchboxes, egg cartons, soil, and more. Drawing from his years of exploring the ๐‘Ÿ๐‘’๐‘๐‘œ๐‘ข๐‘ ๐‘ ๐‘’ฬ technique, Carvajal transforms everyday and discarded materials into new artistic possibilities while honoring familiar images of ๐™ˆ๐™–๐™ฉ๐™š๐™ง ๐˜ฟ๐™š๐™ž. The exhibition opens on September 7, 2026 and runs until September 30, 2026. Visit the NCCA Gallery at the Ground Floor of the NCCA Building, 633 General Luna St., Intramuros, Manila, Monday to Sunday, 9am-6pm. #NCCA #NCCAGallery

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The Department of Language, Literature and the Arts is looking for ONE (1) Student Assistant for 1st Semester, AY 2026-2027. REQUIREMENTS *Application letter addressed to the Department Chairperson of DLLA (Asst. Prof. Felicisimo G. Galletes, Jr.). *Include your preferred work schedule. *Screenshot of enlisted subjects from AMIS for this semester. *Must not have a study load of more than 18 units. Submit the requirements via email at dllacac.upbaguio@up.edu.ph with subject line "DLLA SA Application." Shortlisted applicants will be notified via email. Deadline: SEPTEMBER 2, 2026 UPB OPA Office of Public Affairs UPB USC CAC Committee University of the Philippines Baguio

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CAC UP Baguio

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The UP Baguio College of Arts and Communication is in need of TWO (2) Student Assistants for 1st Sem AY 2026-2027! REQUIREMENTS Application letter addressed to the Dean of the College of Arts and Communication (Asst. Prof. Io M. Jularbal, Ph.D.). Include your preferred work schedule. Screenshot of enlisted subjects from AMIS for this semester. Must not have a study load of more than 18 units. Submit the requirements (hard copies) to the CAC OCS. Shortlisted applicants will be notified via email. Deadline: SEPTEMBER 2, 2026 UPB OPA Office of Public Affairs UPB USC CAC Committee

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Maligayang pagdating sa Kolehiyo ng Sining at Komunikasyon, mga naka-naka at artista ng bayan! โค๏ธ Nawaโ€™y masiyahan kayo sa pananatili ninyo sa kolehiyo at pamantasan! #ProudtobeCAC

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CAC UP Baguio

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The Master of Arts in Language and Literature Program announces the thesis proposal defense of Ms. Andrea Genesis Sobremonte entitled โ€œIn the Name of the Sacred: A Discourse Analysis on the Ilokano Folk Healing Processes in San Juan, La Unionโ€ Date, time, and modality: 27 August 2026, 5:00 PM via Zoom Thesis Adviser: Asst. Prof. Io M. Jularbal Reader/Critic: Elizabeth Calinawagan Thesis Panel Members: Asst. Prof. Ma. Rosario Florendo, Asst. Prof. Roland P. Rabang For interested viewers and inquiries, email the MALL Program Coordinator at mall.upbaguio@up.edu.ph University of the Philippines Baguio Graduate Program Office UPB OPA Office of Public Affairs University of the Philippines Baguio

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โ˜†๐Ÿ‘Œ๏ผ“แต’ฯ‰ ฦคแ•ผ๐จรผโบ๐“ โ“œ๐†โ“ โ“•โ“‡โž‚๐•Š๏ผจ๐‡เน€๐‘’๐“ˆ! ๐Ÿฅบ Le is git! Pinapatawag tayowch ng ating principal para sa ating unang ๐•ญ๐–—๐–Ž๐–Œ๐–†๐–‰๐–† ๐•ฐ๐–˜๐–๐–œ๐–Š๐–‘๐–† o CAC Freshie Orientation ngayong Agosto 24, 1 PM ng hapownch. Isuot ang inyong SHS school uniform (or any uniform) para hindi tayo mapa-guidance! See you at gewww na tayuuu sa Teatro Amianan! ๐Ÿ‘‰๐Ÿ‘ˆ #ProudToBeCAC

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CAC UP Baguio

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Meet the faculty members of the UP Baguio College of Arts and Communication for the Academic Year 2026-2027! For more information about our faculty, head over to https://cac.upb.edu.ph/faculty #ProudToBeCAC